20-30 MINUTES OF FOCUSED PLAY ON A PAINTING THAT DIDN’T REALLY WORK
After getting back to Calgary and setting out the paintings I managed to produce on my recent trips to Mount Assiniboine and Lake O’Hara, I decided to rework some of them. I know this is a common practice in the Plein Air world but there are some purists who believe that once you pack up and get back in the car, then the painting is considered done. Let me state for the record that I am not a purist… If a painting needs more work (sucks) then it will get more work and may suck less.
These two painting were the first to go back on the easel. The interesting aspect of doing this is I had the choice to pull photos of each but I let the picture in my memory act as reference. I made value and color decisions based on what I thought was needed and where. I massaged pretty much every area adding a little in some areas and a little more in others. I tried to improve each area in isolation but as I progressed, these areas began to talk to their neighbours and a different harmony developed.
These were paintings which didn’t succeed in the original battle and needed more to carry them over the finish line. Whether I succeeded in making the paintings better or not doesn’t really matter; I think it was a great exercise in decision making. Something I can do to many small studies in my studio at the moment. Take a painting that didn’t really work and see if I can spend twenty minutes with it and make it better. What does it need? Play with color, brushwork, or push the hell out of the values. If it doesn’t really work, oh well, it didn’t really work in the first place.
Have fun and play with those dud paintings.